Fyodor Ivanovich is one of the most famous poets in Russian literature, his name is closely connected with political and philosophical lyrics and life whirlpools.
Fedor Tyutchev - poet and thinker
A thinker was guessed in it. He was remembered, despite the fact that he left behind a little: several articles, translated and original poems, not all of which were successful. But among others there are pearls of thought, the deepest and most subtle observations, immortal expressions, traces of a grandiose mind and inspiration. All his life he wrote poetry in order to find himself, to better understand his inner world, so that his reader is also a witness of the poetâs spiritual work in self-knowledge. Fedor Tyutchev wrote, feeling the need to express himself. He is very sensitive to nature. His dexterity in handling the images of the elements is a gift that can be seen with the naked eye. Itâs nice to peer into the poetâs poems, itâs interesting to study and disassemble them - the images contain a lot of hidden meaning, which is why their analysis is so exciting. âNot what you think, nature ...â - a poem written by Tyutchev in 1836 carries an important Thought of the poet. But which one? This is what we will try to find out.
For geniuses, thoughts converge
Before starting the analysis of Tyutchevâs poem, one should get acquainted with the events that influenced his appearance and served as an inspiration for the poet. His thoughts have the most similarities with the natural philosophy of Friedrich Schelling, a German thinker. The creative relationship between them was traced repeatedly, interest in his work arose even at the time when the poet joined the future Slavophiles who shared the aesthetics and romantic metaphysics of German literature, in particular Schelling. Tyutchev was not a plagiarist, he did not borrow the ideas themselves, he only drew attention to the formulation of relations between man and nature, man and the Universe, the spiritualization of Cosmos and the concept of the world soul. The Russian poet was one of the most loyal followers of German ideas and for a long time adhered to Schelling's concepts. Also, this poem by F. I. Tyutchev is a protest against Heine's essays, which were published in France and criticized the position of Friedrich, Hoffmann and Novalis and their natural philosophy.
The role of conversion in a poem
If you pay attention, then the whole poem is built as an appeal to the reader - this is where the analysis is worth starting. âNot what you think, nature ...â is the poetâs message to us. If the phenomenon is globalized, then all literature can be called a dialogue between the creator and his reader. If in some works this is not striking, here Fyodor Tyutchev asks us questions, offering ourselves to find answers to them and think over questions that may seem eternal. The appeal makes us feel the poet's presence, as if he were our interlocutor, and at the same time allows us to retire with ourselves, look deep into our inner world and reflect on the proposed topic. We do not see the lyrical subject, but the lyrical hero, in which there are features of Tyutchev himself, because he himself was close to this kind of reasoning. Thanks to the appeal, a lyrical hero, a reader, builds up a dialogue, which makes the poem more accessible, revitalizes it.
Hippos and main meaning
An analysis of Tyutchevâs verse will not be complete if one ignores the presence of outflows. Instead, there were stanzas, but for one reason or another they were seized by censorship. After this procedure, they are usually lost and rarely found. This happened with this poem.
However, although some pieces are missing, the poem has not lost its meaning. His main idea is the theme of the relationship between man and nature. The importance of a personâs ability to feel is emphasized, because if a person is âdeafâ, then he doesnât live at all. If nature does not have a meaning or a face for such people, then for Tyutchev it is important and is the âvoice of the mother herselfâ. It is through the images of nature that the poet expresses innermost emotions, asks questions that excite him, and seeks answers in something pristine. Tyutchev not only considers nature, admiring it, she pushes him into philosophical thoughts, in her the poet sees a living organism with his feelings, with his soul and life, the laws of which people cannot always comprehend.
The image of nature in the lyrics of Tyutchev
Nature is one of the main characters in Tyutchev's poems. Moreover, it is often present not as a backdrop for reflection, but as an actor, in his poetry nature has a face, she speaks, thinks, feels.
Everything in her seems to Fedor Ivanovich full of the special meaning that she seeks to convey to the person. But man does not always hear nature. To understand what she is saying, he needs to listen not with his ears, but with his heart, passing everything through his soul. A poetic analysis (âNot that you think, nature ...â) cannot be built without reference to this image, which plays a key role here. The personification of nature makes it even more like a large living organism, with which each of us is closely connected, but everyone can speak the same language with him, this requires appropriate spiritual education, gentleness of heart and soul. Nature is diverse: it can be powerful, dangerous, not compromising, and may be like a beautiful and bright child.
Tyutchev's light poems: what is the secret?
After some poems, a strange sediment remains, some kind of heaviness, when thoughts begin to swarm unpleasantly in the head.
But after Tyutchevâs lyrics this is not observed - there is some kind of unclear lightness in it. This does not mean that after it a person does not fall into thought, only a poetic analysis ("Not that you think nature ...") is already a confirmation of this, because
it is a synthesis of thought, reasoning, and the study of the subtleties of a poem. Itâs just that Fyodor Tyutchev offers us to think in all understandable images that do not require preparation, they are extremely clear and simple, like all ingenious. Nature is both a mystery and what surrounds us from our very birth, so what can be closer to us? The spiritual closeness of man and nature is the key with which the poet so skillfully operated. The theme of this relationship is familiar to each of us, it is built on feelings and emotions, and not on something scientific and inaccessible. Each new analysis of Tyutchevâs verse brings us closer to nature, which the poet so loved, respected and inspired.