F.I. Tyutchev is a poet who tragically and philosophically looks at the fateful vicissitudes of life. His thoughts occupy social topics, love and nature, which he not only describes in a romantic way, but animates. We will analyze the poem Noon. Tyutchev wrote it in 1829, when he lived in Munich and was already secretly married to his first wife. Their life was then full of peace - “Noon” breathes the same feeling.
Midday landscape
Before us is a summer day in all its charm. Nature weary of heat lazily rests, not a single movement is conveyed in this miniature. Her surroundings are "a hot nap." What do we see when analyzing the poem Noon? Tyutchev included, as he loved in these years, the last two lines of ancient motifs: the great Pan, who is napping in the cave of the nymphs. Pan represents the soul of nature.
The Hellenes believed that at noon man, all deities and nature were seized by peace. What does the analysis of the poem “Midday” show? Tyutchev united their states with the word “lazily”, using it three times, which makes the statement more acute. Noon breathes lazily, the river also rolls and clouds melt. Pan napping calmly dormant in Arcadia in the cool of the cave, creates a special mood: with him, after games, fun, labor, everything fell asleep.
Theme of the poem
What does the analysis of the poem “Noon” say? Tyutchev made the theme of the image of the southern landscape on the Adriatic. Before my eyes I quickly get a picture of K. Bryullov “Italian noon” and, oddly enough, the Russian village - in the still hot air everything froze and was filled with languor.
Nature is eternal and allows itself to be lazy; by our human standards there is no limit to it either in time or in space. He indirectly described eternity and infinity in his miniature Tyutchev. Noon, whose idea is indestructible peace, became sacred to the shepherds of Hellas, who were afraid to disturb Pan's rest.
Art tools
The poem consists of two quatrains, which are written by four-foot iambic. The rhyme is simple and easy to hear and memorize - herpes zoster.
The nature of the poet is spiritualized and animated. Inversion and the metaphor “breathes noon” introduces the breath of nature itself into the poem. In the first quatrain, inversions are found in each line: “the river is rolling”, “the clouds are melting”. In addition, amazingly accurate epithets are used to depict heat. It is hazy at noon, the azure is fiery and pure, and the nap is hot. The epithet "lazy" reveals the essence of this time of day.
F. I. Tyutchev reveals noon as a state of sleepy nap with amazing expressiveness. Here the metaphor “like fog” is used again: all nature was captured by a nap. A hazy Tyutchev noon allows you to see the hot summer air, over which a hot haze hangs. Moreover, he saturates the poem with verbs that describe the state of a hot day: breathes, rolls, melt, encompasses.
Tyutchev's early work
In the period of the 20-30s of the XIX century, the poetry of F. Tyutchev was painted with romantic notes. The whole world is alive and animated for him. At this time, he was fond of the natural philosophy of F. Schelling. At the same time, F. Tyutchev became close to the Slavophiles, who recognized the aesthetic views and romantic metaphysics of German literature.
The poet was most interested in the relationship between man and nature, man and the cosmos, the inspiration of the universe, the concept of the world soul. We meet the echoes of his interests by analyzing the poem Midday. Tyutchev, creating a picture of a sultry day, made it completely alive. For him, both the river and the azure of the sky, and the clouds floating on it, and a hot nap have a soul. In his poetry, forms of European romanticism and Russian lyrics are organically re-melted.