Lermontov’s late lyrics are filled with the deepest sense of loneliness. In almost every line, the lyrical hero’s desire is to finally find a soul mate, to know what true love is. The poem "I Go Alone on the Road" is one of the most recent. Its author wrote in 1841, on the eve of his death.
The analysis of the poem “I Will Go Alone on the Road" should be carried out in the context of Lermontov’s entire work, because, in fact, his lyrics are a detailed poetic diary.
Plan
To analyze any poetic text, you must follow the plan. First, the theme and idea of the work should be defined. Secondly, you need to pay attention to the history of the creation of the text, dedication to someone. You also need to define the genre and other formal features, such as size, rhyme, rhythm. The penultimate stage of the analysis of the poem is the search for means of expressiveness and the characterization of the style and language of the work. And in the final part of the analysis, one should express his attitude to the text, describe what feelings and emotions he evokes. A qualitative analysis of the poem "I Go Alone on the Road" should be performed in the form of an essay or essay, and not just list the characteristic features of the text point by point.
Theme and idea of the work
The poem belongs to the category of philosophical lyrics. His theme is human life, its meaning. In the center of the image are the emotional experiences of the lyrical hero. He asks himself questions about his life, about what was bad and good, what else awaits him. The idea of the poem is that a lonely person, which is a lyrical hero, finds reassurance only when combined with nature. His cherished dream is to find peace in which life would lurk in all its colors and manifestations.
Genre features and other text attributes
Analysis of the poem "I Go Alone on the Road" confirms that it belongs to the genre of lyric poem. Its meditative nature brings it somewhat closer to elegy. The lines of the piece sound smoothly and melodiously. The poetic size chosen by Lermontov is a five-foot trocha. Long lines give the text a special sound. In each stanza, the author uses a cross-rhyme, alternating male and female.
The semantic analysis of the poem "I will go out alone on the road" (briefly). Means of artistic expression
Poem M.Yu. Lermontov provides extensive fields for analysis, because it is full of meanings and symbols, the language of the work is very peculiar, rich and rich in means of poetic expressiveness.
First stanza
In the first stanza of the text, the motive of loneliness immediately begins to sound distinctly. The numeral "one" is found in many poems of the poet, and it is intended to show that on Earth, besides himself, there is no one else, no kindred soul. The last two lines of this stanza sound very beautiful, showing that, unlike the soul of the lyrical hero, beauty and harmony reign in the world. If in the early poetry of the poet there was no harmony even in nature, now the world appears before him (and the reader) as a whole. The moon illuminates his path, the earth sleeps in the radiance of heaven, and the stars communicate with each other. In order to enhance the effect of what was said, the author uses a vivid personification: "The desert hears God / And the star speaks with the star." Significant is the image of the desert that occurs at the beginning of the work. The world is huge, and it is open to the hero.
Second stanza
In the second stanza, the lyrical hero draws a parallel between his feelings and what is happening in the world. Again the personification of nature: "The earth is sleeping." The harmony of nature, its balance is opposed to what is in the soul of the poet. No, there is no storm, as it was in the early lyrics. Now it’s as calm there as in the natural world surrounding it, but it’s “painful and difficult” for him. Rhetorical questions addressed to oneself reinforce the psychological component of the poem. An analysis of Lermontov’s poem “I Go Alone on the Road” confirms that late lyrics are much more tragic than youthful ones. After all, the hero does not challenge society and the world, he just begins to realize that he expects nothing more from life. It is the image of the road that prompts thoughts of his past and future as a lyrical hero.
Third stanza
Here the poet is completely immersed in his "I". It is very important to monitor the composition of the work, mood changes, and the movement of the poet’s thought. Therefore, it is better to conduct a concise analysis of the poem "I am leaving alone on the road." In the third stanza of his work, Lermontov again turns to himself; many parallels can be drawn with the poet’s earlier poems. Waiting for nothing, not regretting the past, he finally wants peace. But in his early work, the lyrical hero wanted a "storm", trying to find peace in it. What has changed now? Almost nothing, but we learn about this only in the fourth stanza. In the meantime, the freedom of the poet appears only as oblivion and sleep.
Fourth stanza
Here, the author gives an idea that there is an ideal existence for him. Lermontov skillfully focuses on his requirements for "sleep", using anaphora in the last lines. Analysis of the poem “I Go Alone on the Road" (namely, the fourth stanza) proves that only minor changes have occurred in the poet.
Fifth stanza
The finale of the work completes the picture of ideal existence for the poet. Around him is a pacifying nature, and he hears a pleasant voice humming to him of love. This is what Lermontov lacked throughout his life. Peace, in which there would be movement, and life itself in its main manifestation - love. With these words, you can complete the analysis of the poem "I go out alone on the road." Lermontov was able to put in a few stanzas the results of his entire poetic work and express his ideas about ideal life. Nature, love, poetry - all this for the author was a necessary component of life (this is what makes himkin to Pushkin).
Analysis of the poem "I Go Alone on the Road" M.Yu. Lermontov would not be complete, if not to say that the work contained both stunning paintings of nature, and deep philosophical thoughts, and a stylistic and verified poetic language.