Impressionism in literature was quite heavy, and its strongest influence was traced already from the end of the 19th century. It is worth noting that not only literature learned what impressionism is, but also other areas of art, for example, painting. But back to the area under consideration. Impressionism in the literature absolutely did not turn out to be a completely homogeneous phenomenon, which was characteristic of many currents. On the contrary, impressionist elements began to be actively traced by writers who had previously worked in different directions and in different directions, namely: in realism, naturalism, symbolism and neo-romanticism. With all this, it is worth paying attention to the fact that for national literatures such differences were also characteristic, in particular, for Russian, French and German.
For the research of scientists, it is the synthesis of elements that were embodied in impressionism that causes great difficulty in terms of study. By the way, a huge number of works on the poetics of this direction were devoted to just such a topic. For example, one of the most powerful works is the monograph “Impressionism”, where the notorious L. Andreev reveals the features of the artistic image of the Symbolists. Other authors, for example, J. Revald and R. Collingwood, who devoted many pages to the development of this direction, should not lose sight of the merits.
By the way, you should immediately give a concise interpretation of this term. Impressionism is a special direction that originates in the 19th century in France; It was based on the reality and variability of the world. Actually, this world was also tried by artists to fix brushes and words.
Over time, impressionism in literature has become clearer, more vivid. Domestic researchers began to pay more attention to him, who were looking for notes of this direction in the lyrics of Anton Chekhov and Athanasius Fet. Also a prominent representative was Ivan Bunin. In general, the Silver Age of Russian literature was a discovery in terms of impressionism. The same can be said about the literary work of the authors of Ukraine, where the work of P. Yarchuk was closely monitored. However, all these steps were taken in order to solve the main literary task - to study impressionism in all aspects, and this all required, and now requires special research.
Impressionism in the literature introduced a key change - it completely reformed the concept of “plot”. The whole construction was no longer based on any general impressions, but on a specific perception, experience of a particular moment, a special lyrical impression. By virtue of this, it was the plot that was no longer some kind of situation, it was a sea of nuances and sensations with which the creative sketch was saturated. By the way, the French poet Mallarmé immediately described the meaning of the new direction, indicating that everything is based not on the things depicted, but on the effect that they will produce.
The central focus of thoughts and ideas for the impressionists is the poetic world of nature. Plots passed through the disclosure of all natural, unique, natural. Actively revealed by many writers. For example, Guy de Maupassant writes the famous masterpieces “Mont-Oriol” and “Life”, which are based on landscapes in a new manner of depiction. At the same time, all impressionistic features are closely intertwined with a realistic plot. The author notes every detail in the change of nature, its colors, emphasizes the role of light. Sometimes the emphasis is on psychological descriptions, which a little earlier was reflected in the works of artists.
In the poetic world, impressionism is synthesized with symbolism, which is fully explained by sensuality, subjective expression, suggestiveness and musicality. However, here it is necessary to emphasize the Baudelaire law of correspondence, which combined these two directions. In the poetic world, in terms of impressionism, Boris Pasternak, Paul Verdun and Stefan Mallarmé, as well as many other remarkable authors of that time, were noted. All visions of their world were based on the creation of a realistic “sensual” landscape. The art of overflows and transitions was perfected, which gave rise to a whole creative method.