Composition based on Griboedov’s comedy “Woe from Wit”: description, characterization of heroes and main idea

A. S. Griboedov, author of the comedy “Woe from Wit” is a native of a family of hereditary noblemen. Since childhood, he watched the mores and life of this estate. Many things threw him into perplexity, and in his soul a thirst for justice was seething. So Griboedov’s comedy “Woe from Wit” was born, the composition of which we will consider from the point of view of the system of images.

Briefly about the comedy and its author

Having received a brilliant university education, the future author of the great comedy volunteers for the war with Napoleon. However, Griboedov does not participate in battles, but he talks a lot with ordinary people, soldiers, and residents of Moscow. He sees how great patriotic feelings are.

A special influence on the formation of Griboedov’s progressive worldview after the war was made by his acquaintance with Pushkin and Küchelbeker. In addition, he is fond of the work of Radishchev and Fonvizin, gets acquainted with the Decembrists. The writer fully supports their ideas, and after the uprising on Senate Square, he is very upset by the defeat of his friends.

Only one work by Griboedov is widely known, but it greatly influenced the history of Russian literature. Every student is now writing an essay on Griboedov’s comedy “Woe from Wit”.

Ideological content

The work was completed in 1824. Censorship banned comedy, but it spread very quickly among enlightened people in manuscripts. Each thinking person found in it a reflection of reality. So, the Decembrists accepted comedy as a reflection of their views and programs - that’s how topical it was.

The work “Problems of Griboedov’s comedy“ Woe from Wit ”” should start with the fact that at the beginning it is necessary to note the above facts, and also pay attention to the fact that the opposition and even the ideological clash of two public camps are shown in the work: “ossified” feudal nobles ( Famusov and his society) and advanced, thinking, thinking youth (Chatsky). The characters are not invented: they are all to some extent a slice of real Moscow society at the beginning of the 19th century. Hence the meaning of the name of the comedy by A. S. Griboedov "Woe from Wit." Chatsky is in conflict with Famusov’s society, where the word “smart” is equated to the word “freethinking.” Its best qualities seem suspicious to the rest of society, actions - devoid of logic and meaning. Not for nothing did Famusov say that Chatsky, in his opinion, had gone mad.

Summary

It is necessary to start any essay on Griboedov’s comedy “Woe from Wit” with a review of the plot, i.e. brief summary. All action takes one day. After a long absence, Chatsky appears in the city. He was absent for three years - he traveled. Chatsky pays a visit to Famusov to greet the owner of the house and visit his daughter Sophia, whom she has views.

Sophia is passionate about Molchalin, the secretary of Famusov. Chatsky is not too flattering about him that he does not like the maid Lisa, and leaves home until evening. Arriving at the appointed time to the Famusovs, Chatsky begins to question the owner about Sophia. Famusov does not like this, he suggests that the young man first take up a career, such as Skalozub.

At this time, Sophia runs in: she was afraid that Molchalin fell from his horse and crashed. The latter enters after him and assures everyone of his good health. Chatsky again speaks ill at Sophia of Molchalin. The girl decides to take revenge on the former boyfriend by slandering him in front of everyone present. She makes him insane. Rumors reach Chatsky, but their source remains unknown.

Further, the plot develops as follows: it turns out that Molchalin is in love with Lisa, Sophia's maid. He only needs the latter in order to curry favor with Famusov. Sophia finds out about this and drives Molchalin away. After him, Chatsky leaves too, who is not able to be in the society of such insidious and limited people. At this time, Famusova only cares what people say about their family.

Famusov

In order for the composition based on the comedy by A. S. Griboedov “Woe from Wit” of any subject to be written successfully, it is necessary to delve into each image, analyzing it and highlighting typical, characteristic features. Let's start with Famusov.

This is the main opponent of progressive thinking people who support the advanced ideas of Decembrism. He is an ardent defender of serfdom and landlordism.

The author emphasizes his foolishness, resourcefulness and cunning. At the same time, he is a master gentleman, who considers all his actions infallible.

Famusov values ​​people not by personal qualities, but by the rank they have and how their wealth is calculated. He personally tells Sophia that the poor man is not a couple to her.

Famusov is revealed in a special way through his attitude to books and education in general. He believes that reading is the most boring lesson, he “sleeps painfully” from him. Those who read and have their own point of view, he considers insane.

Puffer

The character in front of whom Famusov himself is crouching is Colonel Skalozub. He is stupid and cruel. This is an adherent of the Arakcheev regime. An essay based on Griboedov’s comedy “Woe from Wit” must necessarily contain a description of this character, as very characteristic for that time.

What is a puffer? This is an unprincipled person with a vital goal to advance on the steps of a military career. The limit of his dreams is to rise to the rank of general. Moreover, he judges all people from a position of attitude to military service and ranks. So, to the question of Famusov about Natalya Nikolaevna Skalozub answers that he can not say anything, since he did not serve with her.

The limitedness and outright stupidity of Skalozub are especially emphasized. He cannot even say anything about Moscow, except that it is a "huge distance."

Like Famusov, Skalozub despises enlightened, thinking people.

Molchalin

Similar to Skalozub Molchalin. Its differences are youth, poverty and the absence of a noble title. However, he likewise seeks profit only in order to curry favor and climb the social ladder. He considers the main thing in life to learn to meekly please everyone. This hero is a miserable hypocrite, because he pretends to be carried away by Sophia only in order to gain Famusov's favor.

It really becomes scary because the reader understands that this hero is a “worthy” change to the famus and puffers.

Sophia

Sophia, the daughter of Famusov, is young, reasonable and, unfortunately, is already under the influence of a rotten environment. The composition of Griboedov’s comedy “Woe from Wit” should not ignore this character, endowed with many controversial character traits.

Although Moscow society has left its mark on the heroine, she is able to think and express her point of view. If she were like everyone else, Chatsky would not have paid attention to her. Goncharov in the article "Million of Torment" dedicated to comedy, notes Sophia's blindness, mental and moral. Well-read, she nevertheless did not form her own opinion.

The heroine is at the center of two conflicts: the love one (the line "Molchalin - Sophia - Chatsky") and the public one. The latter begins with Chatsky's matchmaking.

The main character

Opposed to the Famus society Chatsky. Griboedov embodied a true Decembrist in his hero (even biographies are similar). After military service - work in the public service and leaving there because of a contradiction in views: "I would be glad to serve, to be sick nauseously." Such conditions were dictated by the regime established under Arakcheev.

This man is a lone rebel. He fights for national dignity, opposing fashion in society for French traditions. Chatsky condemns and does not recognize serfdom, the reverence and idleness of nobles. That is why at one time the Decembrists considered this hero one of "their own."

Despite the abundance of topical issues, this work is a comedy. The language of Griboedov’s comedy “Woe from Wit” (an essay on this subject is also included in the list of the main ones) is simple, accurate, and full of catchphrases. Many of the statements of the characters over time became aphorisms.