For more than 80 years of thinking about the finale of the final work of the Block, researchers of his work have accumulated many works on this topic. The image of Christ in the poem of the Bloc "Twelve" was interpreted differently. The author himself refused to rationally and logically explain this poem. The clearest statement about the meaning of the finale is the reference to the fact that he “saw” it, to “self-evidence”. He wrote in a diary in 1918, February 25, that he only stated a fact, because if you look closely at a snowstorm on the way, you can see "Jesus Christ." Quotation of this name is characteristic - it is an indication of its approximation, conventionality.
The ambiguous attitude of the author to the image
It is not surprising in this connection that, subjectively, the author was very dissatisfied with the resulting image, he said that sometimes he himself “deeply hates him”. Blok called Christ "a feminine ghost." However, in the comments of this author there are very mysterious phrases. For example, a wish to Yu. Annenkov, an illustrator of a poem, about the cover. He pointed out that in the upper left corner stands "breathing in the thick snow" through which Christ could be seen.
Ambiguity, unmotivated
In the poem, much is "accidental", unexpected. So, the most traditional image in the Christian culture is presented quite unconventionally. He is not motivated by the plot, in addition, given in direct contradiction with logic and tradition. Christ is shown almost as the leader of rapists and murderers who reject the morality of the "iconostasis" (this is confirmed by the line "an ace of diamonds is needed on the back”). The images of other heroes and the space of the work itself are also unambiguous.
The allegory of Christ
The “holy malice”, which drives armed mob, is inextricably linked with the “black” malice, which leads inevitably to “mortal boredom” (this motif in Blok’s work characterizes the loss of ideal, spiritual degradation, is also associated with images of the “terrible world”). The appearance of the “invisible" Jesus in the finale is not only ambiguous. The image of Christ in the poem of the Bloc "Twelve" is intentionally illogical, created by combining characteristics that contradict each other. Therefore, it does not lend itself to rational decryption. This Christ is by no means canonical. Its figure is transparent, against the background of "placers" of snow it is barely distinguishable.
"Feminine ghost"
The feminized image of Christ in the poem of the Bloc "Twelve": "white whisk of roses," "gentle tread." All these are signs of what the author himself called manifestations of artistic nature, artistry, and "feminine receptivity." There is a record of Blok relating to 1918, and a direct likening of Jesus to the artist. The semantics of various color details in its image is also ambiguous. The "Blood Flag" is associated not so much with revolutionary banners, their color, but with the blood shed in the poem in its central episode. "White whisk of roses" can be understood as a detail of the image of the Madonna (allegorical), according to medieval artistic tradition. However, at the same time, another reading is allowed: as a symbol of care, oblivion, and as the final outcome of them - death, or as belonging to a funeral.
Sign of the presence of the author, his assessment of what is happening
The appearance of Christ in the final, in any case, is not motivated by the internal structure of the text , it is also not connected with the images of the heroes of the poem. This is a sign of presence in the work of the author, the only one, but decisive. This is a lyrical-subjective assessment by the Bloc of everything that happens.
The author introduces a revolutionary element in highlighting two truths that do not combine with each other. On the one hand, this is an external emancipation of the lower classes of society. It lies in the inevitability of retaliation for their former lack of freedom. However, on the other hand, this truth consists in spiritual liberation (and, therefore, associated with an individual, personal principle) from the power in a person who humiliates him, everything that is in him is low-bodily; from fighting reflexes, biological instincts.
The semantic result of the poem
The bearer of this truth is absent on the scene right up to the very last phenomenon. And only it, with a retrospective light, unexpectedly illuminates again the poster, vulgar figurines of heroes, creates a semantic multi-layered perspective. Conditional, "funny" scenery disappears, only the image-symbol, the semantic "funnel" remains, which draws into itself the various meanings of the other figurative signs of the ideal used by Blok - the Stranger, the Beautiful Lady and, most importantly, the most lyrical hero of the work. Such is the finale of Blok's lyrical work. The semantic result of this poem is the lack of a fixed result, tragically interpreted.
The ideological core of the work
Christ moves ahead of the "apostles", and followed by the "hungry dog" (in the poem it is a symbol of the old world). It is no coincidence that this arrangement of heroes. With this, Blok emphasizes that the ideal will always go ahead, regardless of the need for it.
Such is the image of Christ in the poem of the Bloc "Twelve", which constitutes the ideological core of the work. This is a symbol that not only curved, crowned the poem, but gave new sanctification to its component. The image of Christ in the poem of the Bloc "Twelve" is inexhaustible and ambiguous. We can only try to get closer to the true meaning, not even explained by the author of the work. For this, they write in school work on the theme "The Image of Christ in the Bloc’s Poem" The Twelve "." The composition usually causes difficulties, and this is understandable, because the work does not have unambiguous assessments. Therefore, this final creation of the Block is considered one of the most complex works in the school curriculum.
If you want to write an essay on the theme “The Image of Christ in the Bloc’s Poem of the Twelve,” a brief summary is unlikely to help. Thoughtful reading, analysis of the text, as well as independent thinking are required. Only then can the character “Unveil the Image of Christ in the Poem of the Bloc” be revealed. What is the idea of the poet? What did he want to say? These questions can be answered only by knowing the poet’s lyrics, understanding the symbolist nature of his work.