The work "The Master and Margarita" can rightly be called the final in the life of Bulgakov. The author worked on it for 12 years. It is no coincidence that this novel is a favorite book of many people. It combines the author’s ideas about good and evil, justice and love. However, of course, the theme of creativity in the novel "The Master and Margarita" is the main one.
The beginning of the novel. Acquaintance with representatives of the writing fraternity
At the very beginning of his work, the author introduces us to the head of the association of writers MASSOLIT, Mikhail Alexandrovich Berlioz, and the poet Ivan Bezdomny. The theme of creativity in the novel “The Master and Margarita” by Bulgakov rises already on the first pages of the novel. The author shows the reader his ironic attitude towards Berlioz, the one-sidedness of his education and the narrowness of his horizons. It is he who is the main opponent of the publication of the novel created by the Master.
True and False Creativity
The theme of creativity in the novel “The Master and Margarita” (an essay with this name is often written by schoolchildren) is one of the most important. The work contains a conflict of true and false creativity. The author was very sensitive to this issue. It is no accident that researchers believe that the Master is a prototype of Bulgakov himself.
The main attraction of Moscow was a huge restaurant, which served lumps, sterlet, cocotte eggs. MASSOLITH members cared mainly about their satiety, and not about the quality of spiritual food.
The theme of creativity in the novel "The Master and Margarita." The image of the master
The master is depicted by the author as a true creator who, as is usually the case, cannot find understanding among ordinary writers, poets and editors. The work of the Master is very psychological, it shows the subtleties of the relationship of the punishing side and the convicted person who is innocent, the torment of conscience of the procurator. The master’s brilliant novel did not meet support from MASSOLIT. The persecutors of the author, driven by envy, write accusatory articles. Criticism brings the Master to a madhouse.
Intervention of higher powers in the fate of the Master
The theme of creativity in the novel "The Master and Margarita", or more precisely, the theme of true creativity, is associated with the image of the Master. The work created by him finds the support of Woland and his retinue. Unclean power helps restore justice. They deal with Berlioz, at the end of the work the house of Griboedov is on fire.
Love and creativity
The theme of creativity in the novel “The Master and Margarita” is connected with the theme of love. The feeling of Margarita helps to overcome disappointment in life, gives strength. She believes that the Master’s novel is truly a brilliant creation.
Meeting Woland turns Margarita into a witch. To save the Master, she flies to Satan's ball, which appears to the readers as a fair judge. He helps Margarita to return her beloved and does everything so that the life hardships of the last days do not bother them: the Master is no longer listed in the clinic, their nest, basement, free again, five burnt manuscript copies are now in his hands.
In addition, upstairs, it was decided to give lovers eternal peace and the opportunity to enjoy life.
The end of the novel
The theme of creativity in the novel “The Master and Margarita” permeates the entire work. The book ends very happily for the Master and his lover. True creativity triumphs over false. The master and Margarita leave the time in which they lived, and find eternal rest. The master finds what is very important for a true artist - freedom, not limited by the political system.
So, the theme of creativity in the novel "The Master and Margarita." Briefly in this article we have already described how it can be traced in this work. Now let's turn to the story of the creation of the novel.
About the story of the creation of the novel
Bulgakov's famous work was published only in the sixties. The time of the beginning of work on the novel should be considered 1928-1929, as the author himself dated the first manuscripts to one or another year. Initially, the work received several variants of names: “Hoof of an Engineer”, “Black Magician”, “Juggler with a Hoof”, “Tour”.
Bulgakov burned his novel in the spring of 1930, notifying the government when he received news that the play "The Cabal of the Holy" was banned. Work on the work was resumed in 1931. It was then that Margarita and her companion appeared in the book, which was later called the Master. Woland had a retinue. The second edition of 1936 was entitled “Fantastic Novel.”
The third edition was originally called "Prince of Darkness." The work was entitled “The Master and Margarita” in 1937. In the early summer of 1938, the text of the novel was first fully printed, which was edited almost until the last days of the writer’s life.
The hero of the Master is very autobiographical, which is once again confirmed by information about his age, reported in the novel. According to the text of the work, the Master was a man of about thirty-eight years. Bulgakov was just as much when he began to work on this book.
It is believed that the creation of the image of Satan was inspired by the opera by Charles Gounod, which greatly impressed him as a child, as well as the poem by I.V. Goethe "Faust". Interestingly, Bulgakov was impressed by the novel by A.V. Chayanov, whose main character is named after Bulgakov. On the pages of the book he is faced with devilish power. The coincidence of the names greatly excited the writer.
It is noteworthy that Woland in the first editions bore the name Astarot, but in the future this name was replaced.
According to the widow of the writer, Bulgakov’s last words about the work “The Master and Margarita” were: “To know ...”
Now in Moscow on Bolshaya Sadovaya there is the Bulgakov House. This is a museum that tells about the work and life of the writer. Quite often there are small theatrical productions, improvisations on the works of the writer.
The theme of creativity in the novel “The Master and Margarita” (the arguments for this were given above) is the main one. In addition, the author originally planned to raise many social problems in the novel, among them the question of the difficulties of the work of Russian writers in Russia, which were subjected to real persecution by the state. In the editorial office known to us, the author writes about the fate of a gifted person under the rule of tyranny, which, however, strongly echoes the original plan.
The theme of creativity in the novel “The Master and Margarita” is a key, leading one. It is closely intertwined with the theme of love of the heroes of this magnificent work. The feeling of Margarita saves the Master. The creation created by Bulgakov impresses contemporaries like no other. The novel enjoys a poor reputation among filmmakers, but there are daredevils in whom the desire to make a film on this work defeats superstitious fear. The latest film adaptation of the novel in 2005 shocked the viewer with detail, the number of special effects, and the skill of the cast.