Chatsky, Alexander Andreevich, was a deep enough person for his time. Not alien to romance, he possessed a tenacious analytical mind and a rare ability to notice even the most insignificant processes taking place in society. The main characteristic of Chatsky is his intransigence.
Where the other person is silent, Alexander Andreevich, on the contrary, tries to develop the topic, speaks impartially, and sometimes categorically and categorically.
Secular society, to which Chatsky belonged to fate, did not tolerate critical escapades in his address, and our hero did not miss the moment, carried everyone who was in the inertness of being and did not want to think progressively.
And to the extent that almost the entire society of the first half of the 19th century consisted of inert, inactive people, Chatsky did not have a minute of rest, he had to constantly engage in some conflicts, to defend his point of view, for the sake of his character and extremely active nature, however not always successful. As a rule, they did not want to listen to him. We must pay tribute to Chatsky, he was always restrained and correct in his statements, did not offend anyone with a harsh word, his politeness made a favorable impression on others, no matter how poisonous maxims he regaled them. Chatsky's characterization benefits from his courtesy.
But, nevertheless, Chatsky’s civic position didn’t fit into the framework of public morality so much that once he, having
done nothing more, was simply declared insane. Sophia laid the foundation, the subject of his adoration, the object of love and reverence. It was enough for her, passing among the guests, to accidentally throw: “... it seems Alexander Andreevich has lost his mind ...” and Chatsky was immediately sentenced by the whole society, recorded as a guest of the “yellow house”:
- I said something, he began to laugh
- called me a modist
- I advised my husband to live in the village
- crazy, crazy
- went to mother, Anna Alekseevna went crazy eight times
- Champagne pulled glasses, and ...
- runs from women, even from me
Chatsky lacked humor to accept everything easily, Chatsky’s characterization does not contain flexibility and tolerance, he worried sincerely, suffered, but didn’t try to retire, remained in public, as if there was a burning faith in him that people would wake up, people would come to their senses and everything would be to another. His hopes were in vain, all in vain, "Oh, times, oh manners ...". And Chatsky, whose characterization is constantly changing, becomes thoughtful, all the following disputes with Famusov or with someone else from among the guests go as if forward, and he says something after him, uncertainly and not every time to the point.
Here, a brief description of Chatsky is supplemented by new nuances, numerous and quite significant, and the full description of Chatsky is also waiting for its continuation. Standing behind the column, Alexander Andreevich witnessed Molchalin's courtship for the maid Lisa. I heard his declaration of love for the girl. Words flowed smoothly, although Molchalin had not yet cooled down from communication with Sophia, who, half an hour ago, had also confessed her love.
Sophia, too, accidentally heard a conversation between Lisa and Molchalin, her soul trembled and Molchalin became doubly dear to her. But Chatsky, at the same time, became doubly hated with his damn annoying love. After all these events, Chatsky asked for a carriage. And he went to search the world where the offended person has a corner. Will find?