Let's try to figure out what Sergey Mikhailovich Golitsyn actually wrote? âForty Searchersâ - a story or a story? Or maybe these are life stories that resulted in one big work?
A bit about the author
Little Seryozha was born in the village of Bucharki, Tula province, on March 14, 1909. Father - a descendant of the princely family, was engaged in the organization of zemstvo shelters, schools and hospitals. Mother was a representative of the boyar class - Anna Sergeyevna Lopukhina - brought up in addition to Sergei six more children and housework. On Saturday evenings at a local rural school, she arranged home reading for children in order to develop their love of literature.
Based on the biographical notes of Sergei Mikhailovich, interest in the writing art he had from the earliest years. He read out the works of the great classics: Pushkin, Tolstoy, Main Reed, etc. and tried to write something of his own. The first person who read his children's works was precisely his mother, who always believed that a wonderful writer would come out of him. Gradually, this happened, already in the 30s of the last century, Sergei Golitsyn, a writer who publishes his first stories for children, is published in magazines known at that time: Chizh, Murzilka and The World Pathfinder.
The war years and after
The war came, and Sergei Mikhailovich had to change his creative plans and search for defensive sites and structures as a topographic technician, until 1946. During the confrontation, the German invaders managed to reach Berlin, but he did not stop writing, hoping that later manuscripts would be printed.
In the early 60s, Sergei Golitsyn buys a small house in the village of Lyubets near Moscow and resumes his professional writing career. The more ambitious work of Golitsyn - âForty Prospectorsâ is already being published. A story or story is this creation? The book is officially considered one of a series of books united by the same heroes. Then come the âTown of Tomboysâ and âThe Terrible Crocosaurus and His Childrenâ, which continue the story of previous adventures.
His love of travel in stories for children
Every summer season in the vicinity of the village there were crowds of restless pioneers and October people, who came to rest in nearby health centers. Local attractions and amazing landscapes were directly created so that they had to constantly look for something. Behind every hillock in the forest, there seemed to be some kind of secret that was just waiting to be revealed. This is exactly what Sergey Mikhailovich was doing, who collected all the information to understand what a story was, a definition was an expression of his thoughts on the pages.
Such walks in historical places in order to learn something new, to learn the features of the events that happened at the time, suggest certain thoughts, and you can safely draw some parallel. The events experienced by the travel participants are closely intertwined with the actions of the characters invented by Golitsyn on the pages of his work. At the same time, stories for children contained not only the walks of the heroes that took place in real life. By no means, in his descriptions they traveled in search of new adventures on a steamboat, train, bus and other modes of transport.
Reality and fantasy on the pages of books
In real life, Sergei Golitsyn went on a regular campaign in the Yaroslavl and Vladimir regions along with the guys from the boarding school. The main goal was to find birch manuscripts, and he also told travelers about local monuments and attractions along the way. After some time, this adventure is reflected in the pages of the famous work âBeyond the Birch Booksâ.
The statement of the question about what Golitsyn wrote can be considered incorrect. âForty Searchersâ - a story or a story? The author did not try to invent anything supernatural, and the characters in his books are not some faceless characters. All characters were copied by him from the people around him, with whom he met in certain periods of his life. With them, he experienced real emotions during the course of his cognitive excursions, and everything that could not be accomplished in the real world was successfully implemented on the pages of the book.
Traveling and hiking with children
Nevertheless, he constantly talked with pioneers and ordinary children, continued to travel with them to nearby villages and villages, where they together searched for ancient exhibits for the museum. He justified it on the territory of one of the major pioneer camps and constantly replenished the collection with new artifacts. To schoolchildren, he often told stories of military operations that took place on the territory of the Vladimir region.
A tent camp for juvenile offenders was set up near the village for a long time. He often visited them, shared his richest knowledge in the history of his native land. He constantly talked with them on the topic of correct life deeds, advised how to start building their destiny from scratch, as much as he could, helping. Meeting with the boarding school children, Sergey Golitsyn read âForty Searchersâ. A story or a story is a work - it was not important for the children, because they appreciated the opportunity to communicate with this wonderful person much more.
Or maybe it's just a long story
In turn, what is a story - a definition that refers to a small literary action with a bright color, which allows you to succinctly describe any life or fantastic events. I wonder how to correctly determine what Golitsyn wrote. âForty Searchersâ - a story or a story? Most likely, for Sergei Mikhailovich there were no strict restrictions, as for any creative figure.
In time, all the described events lasted in the authorâs real life for many years, that is, all the free time that he devoted to communicating with children. Sergei Mikhailovich completed his long journey of exploring the work âSecrets of the Old Radulâ, known to many children. Golitsyn simply drew a line and set to work on a more serious genre of historical and regional studies.
Or is it a story
What is a story? The definition says that it is somewhere in between the novel and the story. In the case of the first genre, we have in mind the description of a long segment of the life of the main characters, but as for the second, here, only one bright event is taken for the idea. It is difficult to give an unambiguous explanation of what Golitsyn wrote, âForty Searchersâ - a story or not. After all, it is known that this book is only one part of a whole series of stories. The inextricable connection of the main characters can be traced in the "Town of Tomboys", as well as the story of a tourist trip "Behind the Birch Books."
His inventor of the theory of prospectors is so similar to his own son, and the little neighbor Tychinka could be a prototype of any Soviet pioneer of those times. The children's doctor in the book âForty Searchersâ is surprisingly similar to the author himself in real life. The illustrator in the pictures for the book managed to convey the external similarity between fictional characters and real ones. We can say that Sergei Mikhailovich created an amazing story, the definition of which is detailed in interesting and vivid stories.
Open to every resident of his homeland
He wrote amazing stories in content for children, and the guys felt in Golitsyn an open person, even more - âhis own boardâ and constantly turned around him with numerous questions to which he always knew the answer. Sergei Golitsyn wrote his works, which were designed for middle and high school students, until 1972, when the Secret of the Old Radul was published. It was the final part that told us about the adventures of the children's doctor and company, and represents a whole genre. âForty Prospectorsâ (Golitsyn) can be put on one level with the work âThe Adventure of Dunno and His Friendsâ (Nosov).
His concern for historical monuments was realized at the highest level. All the information he found in the annals indicated that there remained many wooden houses built back in the times of Vladimir-Suzdal Rus and which are monuments of folk architecture. Thanks to his efforts, the building of the ancient church in Lyubtsy, which was erected by architects in 1694, was completely restored. According to his testament, near her in a local cemetery he was buried in 1989, where to this day he rests in peace.